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Erotic Poems Page 2
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and tottered to a glass bumping things.
she picked wearily something from the floor
Her hair was mussed, and she coughed while tying strings
viii.
her careful distinct sex whose sharp lips comb
my mumbling gropeofstrength(staggered by the lug
of love)
sincerely greets, with an occult shrug
asking Through her Muteness will slowly roam
my dumbNess?
her other, wet, warm
lips limp, across my bruising smile;
as rapidly upon the jiggled norm
of agony my grunting eyes pin tailored flames
Her being at this instant commits
an impenetrable transparency.
the harsh erecting breasts and uttering tits
punish my hug
presto!
the bright rile
of jovial hair extremely frames
the face in a hoop of grim ecstasy
ix.
in making Marjorie god hurried
a boy’s body on unsuspicious
legs of girl. his left hand quarried
the quartzlike face. his right slapped
the amusing big vital vicious
vegetable of her mouth.
Upon the whole he suddenly clapped
a tiny sunset of vermouth
-colour. Hair. he put between
her lips a moist mistake, whose fragrance hurls
me into tears, as the dusty newness
of her obsolete gaze begins to. lean….
a little against me, when for two
dollars i fill her hips with boys and girls
ii.
when i have thought of you somewhat too
much and am become perfectly and
simply Lustful…. sense a gradual stir
of beginning muscle, and what it will do
to me before shutting…. understand
i love you…. feel your suddenly body reach
for me with a speed of white speech
(the simple instant of perfect hunger
Yes)
how beautifully swims
the fooling world in my huge blood,
cracking brains A swiftlyenormous light
—and furiously puzzling through, prismatic, whims,
the chattering self perceives with hysterical fright
a comic tadpole wriggling in delicious mud
vi.
when you went away it was morning
(that is, big horses; light feeling up
streets; heels taking derbies (where?) a pup
hurriedly hunched over swill; one butting
trolley imposingly empty; snickering
shop doors unlocked by white-grub
faces) clothes in delicate hubbub
as you stood thinking of anything,
maybe the world…. But i have wondered since
isn’t it odd of you really to lie
a sharp agreeable flower between my
amused legs
kissing with little dints
of april, making the obscene shy
breasts tickle, laughing when i wilt and wince
vii.
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh…. And eyes big love-crumbs,
and possibly i like the thrill
of under me you so quite new
xix.
she being Brand
-new; and you
know consequently a
little stiff i was
careful of her and(having
thoroughly oiled the universal
joint tested my gas felt of
her radiator made sure her springs were O.
K.)i went right to it flooded-the-carburetor cranked her
up, slipped the
clutch(and then somehow got into reverse she
kicked what
the hell)next
minute i was back in neutral tried and
again slo-wly; bare, ly nudg. ing(my
lev-er Rightoh
and her gears being in
A 1 shape passed
from low through
second-in-to-high like
greasedlightning)just as we turned the corner of Divinity
avenue i touched the accelerator and give
her the juice, good
(it
was the first ride and believe i we was
happy to see how nice she acted right up to
the last minute coming back down by the Public
Gardens i slammed on
the
internalexpanding
&
externalcontracting
brakes Bothatonce and
brought allofher tremB
-ling
to a: dead.
stand-
;Still)
xxx.
(ponder, darling, these busted statues
of yon motheaten forum be aware
notice what hath remained
—the stone cringes
clinging to the stone, how obsolete
lips utter their extant smile….
remark
a few deleted of texture
or meaning monuments and dolls
resist Them Greediest Paws of careful
time all of which is extremely
unimportant)whereas Life
matters if or
when the your-and my-idle
vertical worthless
self unite in a peculiarly
momentary
partnership(to instigate
constructive
Horizontal
business…. even so, let us make haste
—consider well this ruined aqueduct
lady,
which used to lead something into somewhere)
16.
may i feel said he
(i’ll squeal said she
just once said he)
it’s fun said she
(may i touch said he
how much said she
a lot said he)
why not said she
(let’s go said he
not too far said she
what’s too far said he
where you are said she)
may i stay said he
(which way said she
like this said he
if you kiss said she
may i move said he
is it love said she)
if you’re willing said he
(but you’re killing said she
but it’s life said he
but your wife said she
now said he)
ow said she
(tiptop said he
don’t stop said she
oh no said he)
go slow said she
(cccome? said he
ummm said she)
you’re divine! said he
(you are Mine said she)
72.
wild(at our first)beasts uttered human words
—our second coming made stones sing like birds—
but o the starhushed silence which our third’s
iv.
What is thy mouth to me?
A cup of sorrowful incense,
A tree of keen leaves,
An eager high ship,
A quiver of superb arrows.
What is thy breast to me?
A flower of new prayer,
A poem of firm light,
A well of cool birds,
A drawn bow trembling.
What is thy body to me?
A theatre of perfect silence,
A chariot of red speed;
And O, the dim feet
Of white-maned desires!
vii.
After your poppied hair inaugurates
Twilight, with earnest of what pleading pearls;
After the carnal vine your beauty curls
Upon me, with such tingling opiates
As immobile my literal flesh awaits;
Ere the attent wind spiritual whirls
Upward the murdered throstles and the merles
Of that prompt forest which your smile creates;
Pausing, I lift my eyes as best I can,
Where twain frail candles close their single arc
Upon a water-colour by Cézanne.
But you, love thirsty, breathe across the gleam;
For total terror of the actual dark
Changing the shy equivalents of dream.
ix.
When thou art dead, dead, and far from the splendid sin,
And the fleshless soul whines at the steep of the last abyss
To leave forever its heart acold in an earthy bed,
When, forth of the body which loved my body, the soul-within
Comes, naked from the pitiless metamorphosis,
What shall it say to mine, when we are dead, dead?
(When I am dead, dead, and they have laid thee in,
The body my lips so loved given to worms to kiss,
And the cool smooth throat, and bright hair of the head—).
iii.
my deathly body’s deadly lady
smoothly-foolish exquisitely, tooled
(becoming exactly passionate Gladly
grips with chuckles of supreme sex
my mute-articulate protrusion)
Inviting my gorgeous bullet to vex
the fooling groove intuitive…
And the sharp ripples-of-her-brain bite
fondly into mine,
as the slow give-
of-hot-flesh Takes, me; in crazier waves of light
sweetsmelling
fragrant:
unspeakable chips
Hacked,
from the immense sun(whose day is drooled
on night—)and the abrupt ship-of-her lips
disintegrates, with a coy! explosion
iv.
first she like a piece of ill-oiled
machinery does a few naked tricks
next into unwhiteness, clumsily
lustful, plunges—covering the soiled
pillows with her violent hair
(eagerly then the huge greedily
Bed swallows easily our antics,
like smooth deep sweet ooze where
two guns lie, smile, grunting.)
“C’est la guerre” i probably suppose,
c’est la guerre busily hunting
for the valve which will stop this.
as i push aside roughly her nose
Hearing the large mouth mutter kiss pleece
vii.
as
we lie side by side
my little breasts become two sharp delightful strutting towers and
i shove hotly the lovingness of my belly against you
your arms are
young;
your arms will convince me, in the complete silence speaking
upon my body
their ultimate slender language.
do not laugh at my thighs.
there is between my big legs a crisp city.
when you touch me
it is Spring in the city; the streets beautifully writhe,
it is for you; do not frighten them,
all the houses terribly tighten
upon your coming:
and they are glad
as you fill the streets of my city with children.
my love you are a bright mountain which feels.
you are a keen mountain and an eager island whose
lively slopes are based always in the me which is shrugging, which is
under you and around you and forever: i am the hugging sea.
O mountain you cannot escape me
your roots are anchored in my silence; therefore O mountain
skilfully murder my breasts, still and always
i will hug you solemnly into me.
viii.
my lady is an ivory garden,
who is filled with flowers.
under the silent and great blossom
of subtle colour which is her hair
her ear is a frail and mysterious flower
her nostrils
are timid and exquisite
flowers skilfully moving
with the least caress of breathing, her
eyes and her mouth are three flowers. My lady
is an ivory garden
her shoulders are smooth and shining
flowers
beneath which are the sharp and new
flowers of her little breasts tilting upward with love
her hand is five flowers
upon her whitest belly there is a clever dreamshaped flower
and her wrists are the merest most wonderful flowers my
lady is filled
with flowers
her feet are slenderest
each is five flowers her ankle
is a minute flower
my lady’s knees are two flowers
Her thighs are huge and firm flowers of night
and perfectly between
them eagerly sleeping
is
the sudden flower of complete amazement
my lady who is filled with flowers
is an ivory garden.
And the moon is a young man
who i see regularly, about twilight,
enter the garden smiling to
himself.
viii.
sometimes i am alive because with
me her alert treelike body sleeps
which i will feel slowly sharpening
becoming distinct with love slowly,
who in my shoulder sinks sweetly teeth
until we shall attain the Springsmelling
intense large togethercoloured instant
the moment pleasantly frightful
when, her mouth suddenly rising, wholly
begins with mine fiercely to fool
(and from my thighs which shrug and pant
a murdering rain leapingly reaches the
upward singular deepest flower which she
carries in a gesture of her hips)
ix.
o my wholly unwise and definite
lady of the wistful dollish hands
(whose nudity hurriedly extends
its final gesture lewd and exquisite,
with a certain agreeable and wee
decorum)o my wholly made for loving
lady
(and what is left of me
your kissing breasts timidly complicate)
only always your kiss will grasp me quite.
Always only my arms completely press
through the hideous and bright night
your crazed and interesting nakedness
—from you always i only rise from something
slovenly beautiful gestureless
x.
my youthful lady will have other lovers
yet none with hearts more motionless than i
when to my lust she pleasantly uncovers
the thrilling hunger of her possible body.
Noone can be whose arms more hugely cry
whose lips more singularly starve to press her—
noone shall ever do unto my lady
what my blood does, when i hold and kiss her
(or if sometime she nakedly invite
me all her nakedness deeply to win
her flesh is like all the ’cellos of night
against the morning’s single violin)
more far a thing than ships or flowers tell us,
her kiss furiously me understands
like a bright forest of fleet and huge trees
—then what if she shall have an hundred fellows?
she will remember, as i think, my hands
(it were not well to be in this thing jealous.)
My youthful lust will have no further ladies.
xiii.
you said Is
there anything which
is dead or alive more beautiful
than my body, to have in your fingers
(trembling ever so little)?
Looking into
your eyes Nothing, i said, except the
air of spring smelling of never and forever.
…. and through the lattice which moved as
if a hand is touched by a
hand(which
moved as though
fingers touch a girl’s
breast,
lightly)
Do you believe in always, the wind
said to the rain
I am too busy with
my flowers to believe, the rain answered
xiv.
is
it